Shaker in Black and White: A Photo Essay on Shaker Design
The images in LIGHT are unified by a palpable visual intensity and a contrasted, monochrome spectrum of deep blacks and bright whites. They are populated with strange and brilliant scenes the artist has happened across, including a gathering of plastic skeletons that appear to be worshipping the moon and a child’s face among the smoke of burning sparklers. One person appears to be floating in mid-air, captured mid-jump perhaps.
Other images feel like scenes from an old black and white movie, like the one of a cat’s silhouette under a misty street lamp, caught stalking silently through the night. Smoke, mist and fog are often a component in these pictures. “I guess smoke and light provide a terrific combination to create an atmosphere that I find very surreal, poetic, and otherworldly,” he says thoughtfully. “But these two alone cannot make a good photograph; they almost always help to set up a poetic environment in which something else has to happen in order to make it a (potential) successful image.”
Advice on combining On the Run and Spatializing Blackness as a single text. In order to pitch both these texts as a single cohesive piece that where both elements complement each other, one must consider the weaknesses and strengths of both approaches. The pitch to the board must carefully consider the more empathetic and immersive approach of On the Run, but counter this with the more analytical, generalized approach of Spatializing Blackness. Both take in-depth looks at black bodies who fall victim to a system that marginalizes them and contributes to their over incarceration. However; what each is lacking the other ha, which is why it is advisable for you to incorporate each of their important points into your pitch in order to craft
Is Black and White Photography a Gimmick
That emotional investment also extends to his reasons for choosing to work in monochrome. “I experimented many times with the way I should process my photographs before settling on the current format. With high contrast black and white, I believe I can really show the intensity, drama and mood of light without any unnecessary cluttering. Ultimately, light is light only because there is darkness, and processing my images this way really helps to enhance this fact.”
Chakraborty is clear he adheres to strict photojournalism standards—in terms of not removing or adding elements to his photographs, and only ever shooting things candidly—but says he does enjoy that with black and white, he is able to tweak the contrast of his pictures and use dodge and burn techniques to bring forth certain parts of images in order to align them with the images he sees in his mind. “That is how I can better express my vision of the world—the one I am making out of reality,” he says.
Light is a strong force in the world of Indian photographer Sankardeep Chakraborty’s black and white photographs. Shafts of sunlight breaking through dark skies, street lamps refracted and intensified through the rain, the moon as it casts its ethereal glow: all of them become material for the artist to transform ordinary moments into scenes of otherworldly awe.
Monochrome film photography allows one to learn and express emotions in their art differently. Great examples of this are the movie from 40s. They depicted all the emotions-death, love, and happiness with shades. Color usually makes this process very easy. Another use of monochrome is for shooting nudes. Eliminating color removes the smutty component from the picture and allows one to appreciate the naked body as piece of art. One of the biggest reasons for the popularity of black and white photography is its timeless nature. Black and white is still considered a piece from photographic past as it adds a timeless quality to the picture.
One of my greatest passions is black and white photography
We first noticed Graeme Russell’s photography on Instagram, his striking black and white street imagery bringing to mind the observations of a flaneur, distanced yet right in the heart of the city. Street art has been a recurring subject of his photographs, often exploring close up details, re-framing larger works as disconnected and intriguing snippets. When we asked Graeme if he was interested in putting together a survey of his images as a photo essay, he revealed he was about to move to Oamaru. It therefore made this piece a fitting farewell to a city that the photographer has come to adore for the creativity on its streets…
Not Today Zine including black and white photography and illustration
Another major point on the side of black and white is the appealing ageless look. For a vast majority of people, when one observes a black and white picture, they think of history. The timeless feeling that the effect establishes usually reminds viewers of the past, creating a classical nostalgic feeling. This wistful feeling, in a very cliche fashion, is often romanticized. There is a large amount of people who share the opinion that black and white images are typically more intriguing. Only approximately 0.005% of the whole population suffers from monochromacy, which is total . Therefore it is correct to say that most people do not see the world in black and white because normally humans do not have black and white vision. Consequently, images with that effect become all the more interesting to look at. It is in our human nature to have an increased fascination with things we are not accustomed to. We have a tendency to be attracted to the unknown. A common argument made against black and white is that it is boring and lifeless. However, from a different point of view, black and white imagery leaves so much extra to the imagination. It enables original stories to be created, with limitless options. It generates many questions within the observer in regard to the subject of the photo. These questions will
On Black & White Photography & a Memory
Part 1 of a guide to give some insight in black and white photography and how to create better black and white photographs.
There are so many tutorials on the Internet on black and white photography, also my website has quite a few technical black and white photography tutorials. But what is really important to know about black and white photography and where do I start? What is black and white photography and why should I use it instead of color? In the first part I will try to answer a few elementary questions regarding black and white photography, demystify some myths surrounding black and white versus color and I will also go into how art relates to black and white photography. In part 2, due to be published in two weeks, I will give an overview of black and white processing techniques, I will compare them and give you some pointers on how to start and if you’re an advanced photographer, also on how to improve.
Photo Essay: Learning to Speak in Black & White
This is a question that has been asked to many black and white photographers, usually by photographers who are just starting and have the natural tendency to shoot color first or by seasoned photographers who still doubt the technical, aesthetic or artistic justification of black and white over color. Especially in this digital age where even small phones are capable of taking high quality color images.